As a kid growing up, I was always fascinated with, well, fantasy! I thought fantasy was, well…fantastic (nearly draining my account of f-words in my literary stock here, oh, well, save one word which shall never appear in written form here
). Who couldn’t love THE LORD OF THE RINGS, or how about that classic ’80s film “Labyrinth”? “The Dark Crystal”? Great stuff. There are numerous others. I was a huge fan of the good old-fashioned swords and sorcery and bulky, grizzly warriors and crafty thieves and their snickers and sneers. I even enjoyed the whimsy of the lighter, childlike tales of magical dreams like ALICE IN WONDERLAND. The rabbit hole became a mystifying thing for me.
Little did I know how really deep that rabbit hole could go.
As I got older, my imagination evolved into something more grounded, inventive, I guess you can say. And surprisingly, the more grounded, the more mystified I was with the fantasy genre as a writer rather than a reader.
Let me explain: one of the first books I ever wrote when I was young just happened to be of the fantasy genre. Big surprise. I was in love with the genre. I quickly learned of one of the largest challenges in writing fantasy–and that is simply the sheer scope of actually creating a real world of names and places and things and concepts and cosmic and natural rules and laws. Every thing. EVERYTHING. That’s pretty daunting. Even more daunting, making it believable was like that unclimbable mountain with the overly sheer cliff walls. Impossible to reach over.
Hats off to the fantasy authors of legend and the now: Tolkien, among the best. I’ll be completely honest. My first try at a novel shook me up a little. Rough-edged and raw, doubtful, maybe a little overwritten, too many characters thrown in too little space–I had it tough. I learned quick how the challenge exhausted me mentally. Even emotionally.
But at the same time, it mystified me even more. Thinking about the scope of these imaginary worlds–it enthralled me to no end. The idea that a man–like Tolkien–could create this utterly massive world. Middle Earth. And it was so believable, so real. As if you really were walking down the trails leading to Hobbiton.
I quickly learned what my true strength was in writing, in that it seemed to be that more of an urban fantasy world meshed with snapshots of my real-life experience and bits of philosophy and religious or spiritual legend, and especially the concept of myth, fueled my flow of the story storms in my head and the ideas and premises. I think it was because I was so passionate about research. Discovery. The what if fascinated me in terms of constant malleable thought, rather than a curious, mysterious wonder. For those of you who have delved into my fiction, THE CAIN LETTERS, you may understand what I mean when I say…what if.
Knowing that, I can safely say, though, that I have an even deeper appreciation for the true, basic fantasy genre. The literature literally almost seems born from nothing except a purely magical thought. As in, here’s Tolkien…. Hobbits. I call them hobbits. And this is what they are. Yes. That’s simply remarkable. And to build from that astounds me. A completely original, unreal, unrealized idea–practically formed out of nothing and everything, it seemed–came out of this man’s head.
Now don’t get me wrong. I’m not demeaning my own genre of writing, which is indeed a hot flyer in the multi-faceted fantasy genre. We all know urban fantasy’s making it huge. But, again, as a writer, not a reader, I have an even deeper appreciation for the creation of worlds and stories–simply out of pure imagination, seemingly without any relation to real experiences or events or anything. Anyone ever jokes about the cheesy swords and sorcery–seriously, mouths shut, listen to me. Authors of fantasy are true kings of imagination. Not kings of research and discovery, no. But still, we do respect one of the greatest jewels in fiction writing anyway: and that is imagination.
It’s what makes the rabbit hole go deeper. And deeper. And deeper.